斯奈德研究

斯奈德研究

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 美国诗人斯奈德的禅学因缘.pdfAlmon, Bert, ‘Buddhism and Energy in the Recent Poetry of Gary Snyder’, Mosaic, 11.1 (1977), 117–25.

Altieri, Charles, ‘Gary Snyder’s Turtle Island: The Problem of Reconciling the Roles of Seer and Prophet’, Boundary 2, 4.3 (Spring 1976), 761–77.

Barnhill, David Landis, ‘Great Earth Sańgha: Gary Snyder’s View of Nature as Community’, in Buddhism and Ecology: The Interconnection of Dharma and Deeds, ed. by Mary Evelyn Tucker and Duncan Ryūken Williams (Cambridge, MA: Harvard University Press, 1997).

Bartlett, Lee, ‘Gary Snyder’s Han-shan’, Sagetrieb, 2.1 (Spring 1983), 105–10.

Carolan, Trevor, ‘The Wild Mind of Gary Snyder’, Shambhala Sun, 4 (May 1996), 18–27.

Chung, Ling, ‘The Reception of Cold Mountain’s Poetry in the Far East and the United States’, New Asian Academic Bulletin, 1 (1978), 85–96.

______, ‘Whose Mountain Is This? Gary Snyder’s Translation of Han Shan’ Renditions 7

(1977), 93–102.

______, ‘Snyder’s Translation of Han Shan Poems’ Chung Wai Literary Monthly 19.4 (1990.5), 11–28.

______, ‘Hard Stone from Another Country Can Carve Jade: Gary Snyder’s Imitation of Chinese Seven-Character Verse’,Chung Wai Literary Monthly 29.6 (2000.11), 183–203.

______, ‘A Dialogue Between the East and the West: Gary Snyder’s Rendering of T’ang Dynasty Poems’, Chung Wai Literary Monthly 30.7 (2001.12), 77–92.

______, ‘Gary Snyder’s American-Asian Shamanism’, The Comparatist 19 (May 2005), 38–62.

Crunk, ‘The Work of Gary Snyder’, The Sixties, 6 (Spring 1962), 25–42.

Dean, Tim, ‘The Other’s Voice: Cultural Imperialism and Poetic Impersonality in Gary Snyder’s Mountains and Rivers Without End’, Contemporary Literature, 41.3 (Fall 2000), 462–94.

Folsom, Ed, ‘Gary Snyder’s Descent to Turtle Island: Searching for Fossil Love’, in Earthly Words: Essays on Contemporary American Nature and Environmental Writers, ed. by John Cooley (Ann Arbor: University of Michigan Press, 1994), 217–36.

Forman, Dave, ‘Gary Snyder: Tribal Founder’, in Gary Snyder: Dimension of A Life, ed. by Jon Halper (San Francisco: Sierra Club Books, 1991), 362–64.

Gitzen, Julian, ‘Gary Snyder and the Poetry of Compassion’, Critical Quarterly, 15 (1973), 341–57.

Gray, Timothy G., ‘Explorations of Pacific Rim Community in Gary Snyder’s Myths & Texts’, Sagetrieb, 18 (1999), 87–128.

______, ‘Semiotic Shepherds: Gary Snyder, Frank O’Hara, and the Embodiment of an Urban Pastoral’, Contemporary Literature, 39.4 (1998), 523–60.

Holaday, Woon-Ping Chin, ‘Formlessness and Form in Gary Snyder’s Mountains and Rivers Without End’, Sagetrieb, 5.1 (Spring 1986), 41–51.

Hunt, Anthony, ‘“Bubbs Creek Haircut”: Gary Snyder’s “Great Departure” in Mountains and Rivers Without End’, Western American Literature, 15.3 (Fall 1980), 163–79.

______, ‘“The Hump-backed Flute Player”: The Structure of Emptiness in Gary Snyder’s Mountains and Rivers Without End’,ISLE: Interdisciplinary Studies in Literature and Environment, 1.2 (Fall 1993), 1–23.

______, ‘Singing the Dyads: The Chinese Landscape Scroll and Gary Snyder’s Mountains and Rivers Without End’, Journal of Modern Literature, 23 (Summer 1999), 7–34.

Jung, Yol Hwa, and Petee Jung. ‘Gary Snyder’s Ecopiety’, Environmental History Review 14.3, (1990), 74–87.

Kern, Robert, ‘Clearing the Ground: Gary Snyder and the Modernist Imperative’, in The Beats: Essays in Criticism, ed. by Lee Bartlett (Jéfferson: McFarland, 1981), 147–62.

______, ‘Mountains and Rivers Are Us: Gary Snyder and the Nature of the Nature of Nature’, College Literature, 27.1 (Winter 2000), 119–38.

______, ‘Recipes, Catalogues, Open Form Poetics: Gary Snyder's Archetypal Voice’, Contemporary Literature, 18.2 (Spring 1977), 173–97.

Lane, Belden C., ‘Giving Voice to Place: Three Models for Understanding American Sacred Space’, Religion and American Culture, 11.1 (Winter 2001), 53-81.

Laughlin, James, ‘Notes on Gary Snyder’, in Gary Snyder: Dimensions of A Life, ed. by Jon Halper (San Francisco: Sierra Club Books, 1991), pp. 246–47.

Leed, Jacob, ‘Gary Snyder, Han Shan, and Jack Kerouac’, Journal of Modern Literature, 11.1 (1984), 185–93.

______, ‘Gary Snyder: An Unpublished Preface’, Journal of Modern Literature, 13 (1986), 177–80.

Lin, Yao-fu, ‘“The Mountains Are Your Mind”: Orientalism in the Poetry of Gary Snyder’, Tamkang Review, 6–7 (1975–1976), 357–92.

Lyon, Thomas J., ‘Gary Snyder, a Western Poet’, Western American Literature, 3.3 (Fall 1986), 207–16.

______, ‘The Ecological Vision of Gary Snyder’, in Critical Essays on Gary Snyder, ed. by Patrick D. Murphy (Boston: G. K. Hall, 1990), 35–44.

Mahar, J. Michael, ‘Scenes from the Sidelines’, in Gary Snyder: Dimension of A Life, ed. by Jon Halper (San Francisco: Sierra Club Books, 1991), 8–15.

Martin, Julian, ‘Practising Emptiness: Gary Snyder’s Playful Ecological Work’, Western American Literature, 27.1 (May 1992), 3–19.

______, ‘The Pattern Which Connects: Metaphor in Gary Snyder’s Later Poetry’, Western American Literature, 22.2 (August 1987), 99–123.

Murphy, Patrick D., ‘Penance or Perception: Spirituality and Land in the Poetry of Gary Snyder and Wendell Berry’, Sagetrieb, 5.2 (1986), 61–72.

______, ‘Two Different Paths in the Quest for Place: Gary Snyder and Wendell Berry’, American Poetry, 2 (1984), 60–88.

Nielsen, Dorothy M., ‘Prosopopoeia and the Ethics of Ecological Advocacy in the Poetry of Denise Levertov and Gary Snyder’,Contemporary Literature, 34.2 (1993), 691–713.

Norton, Jody, ‘The Importance of Nothing: Absence and Its Origins in the Poetry of Gary Snyder’, Contemporary Literature, 28.1 (Spring 1987), 41–66.

Parkinson, Thomas, ‘The Poetry of Gary Snyder’, Sagetrieb, 3.1 (Spring 1984), 49–61.

______, ‘The Poetry of Gary Snyder’, Southern Review, 4 (1968), 616–32.

Patke, Rajeev S., ‘Response to “Gary Snyder, Dôgen, and ‘The Canyon Wren’”’, Connotations, 8.2 (1998 / 99), 261–67.

Prothero, Stephen, ‘On the Holy Road: The Beat Movement as Spiritual Protest’, The Harvard Theological Review, 84.2 (April 1991), 205–22.

Robertson, David, ‘Real Matter, Spiritual Mountain: Gary Snyder and Jack Kerouac on Mt. Tamalpais’, Western American Literature, 27.3 (November 1992), 209–25.

Smith, M Bennett. ‘Snyder’s The Call of The Wild’, The Explicator 60.1 (2001), 47–49.

Takahashi, Ayako, ‘The Shaping of Gary Snyder’s Ecological Consciousness’, Comparative Literature Studies, 39.4 (2002), 314–25.

Tsai, Robin Chen-Hsing. “Translating Nature: Gary Snyder and Cultural Translation.” Neohelicon XXXIV (2007): 149–63.

Wagner. Linda W, ‘From Sappho to Snyder (2000 Years on One Ditto Master)’, The English Journal, 62.8 (November 1973), 1173–74

Weinberger, Eliot, ‘Gary Snyder: The Art of Poetry LXXIV’, Paris Review, 38 (1996), 89–118.

Whalen-Bridge, John, ‘Echoes of Eliot in Snyder’s “A Stone Garden”’, Journal of Modern Literature, 17.1 (Summer 1990), 172–77.

______, ‘Gary Snyder, Dôgen, and “The Canyon Wren”’, Connotations, 8.1 (1998 / 99), 112–26.

______, ‘Gary Snyder’s Poetic of Right Speech’, Sagetrieb, 9.1–2 (Spring and Fall 1990), 201–14.

Wiget, Andrew, ‘Sending a Voice: The Emergence of Contemporary Native American Poetry’, College English, 46.6 (October 1984), 598–609.

Yamazato, Katsunori, ‘A Note on Japanese Allusions in Gary Snyder’s Poetry’, Western American Literature, 18.2 (August 1983), 143–48.

______, ‘Envisioning a Planetary Future: Gary Snyder and Japan, 1951–2007’, Joint-International Symposium, ASLE-Korea and ASLE-Japan, Ryukyus, 2007.

Yingying, Deng; Joan Qionglin Tan. 'Discipline, Resistance and Self-improvement: Three Phases in the Growth of Fanny Price',International Journal of Literature and Arts, 2.4 (2014): 123-29.

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